The cultural climate represented by mass media, advertising, information and communication technology, has a direct role in
Cultural production, socialization, pleasure and leisure time as well. All these lines that intersect we get to a slice
Young practitioners and enthusiasts of street art, whose structure and applications reflect their ways of thinking and the findings of the overall cultural climate in
The kingdom. The mass consumption of street art appears to have its audience.
This was the fertile seed for the establishment of these societies in the original, which are still growing and inventing their own protocols and rituals.
Such as allocating certain walls to be painted successively by artists in a beautiful competitive youth ritual, or singling out some carpenters
Its tools and walls dedicated to this art are used to exchange experiences and show new talents
In Saudi street art, and omitting the decorative works, it does not talk about the inspiration of a fixed text or even any text, as much as we talk about the positions of
Mostly it is confined to the scope of anti-racism or anti-banning of art, or demanding rights, and in the best case advertising
On the Saudi identity
The emergence of the phenomenon of Saudi youth practicing graffiti art through drawing and writing on walls coincided in different places: Jeddah
Riyadh, Al-Ahsa, as a result of their influence on the culture of that art, which takes on a contemporary character and an intellectual starting point that employs the language of the street in a new way.
It coincides with the culture of the place, as many graffiti and drawings were executed on the walls at first as a practice of hobbies, but now there are
Regulating the participation of artists and giving vent to their arts through the implementation of many programmes, activities and competitions, and there is now a content and a message.
Related to local and global community issues. Among the most prominent Saudi graffiti artists who are witnessing the art scene are Mazen Al-Shamrani and Diaa Rambo
And Fouad Al-Ghareeb, Talal Al-Zaid, Noura Al-Saedan, Maryam Abu Shall – and Madawi Al-Baz, as well as the Saudi Graffiti Art Group (The Hangar).
who carried out their graffiti project in a number of buildings located in the Al-Balad area in the city of Jeddah, these conceptual painters formed shapes
Multiple murals in different styles by distinguishing between the ground and the horizon, and between other forms, resorting to the vast spaces to divide
their subjects, abstracting forms into symbolic boundaries that strangely intertwine, collide, interconnect and, more often than not, resonate with the vast space.
Saudi beautification
